Coco
Everyone, take note:
Pixar has done it again.
This ain’t no Cars 3.
Does Pixar have a tagline? They don’t, I just checked. Well, here’s my official recommendation for one: “If you didn’t cry, it’s not us. Pixar.”
Time and again, Pixar has proven that they are as good as animation gets. In a clip before my showing of the movie, director Lee Unkrich and two animators thanked the audience for coming and showed us what goes into the making of one scene – Miguel (Anthony Gonzalez) first entering the underworld – and it is breathtaking. I don’t remember the exact number, but Unkrich said there’s thousands of buildings in that scene and millions of lights. That sight alone is truly something to see.
But beyond the technical beauty of the film (that demands to be seen on the big screen – see it while you still can!), “Coco” is top-tier Pixar because of its powerful story about family and following your dreams. It resonated with me emotionally much more than I anticipated, as I’m at the crossroads in my own life where I’m torn between moving far away from home after college and staying home near friends and family. It didn’t help that I saw the movie with my mom and grandparents, and the movie places a heavy emphasis on family through the generations.
While I haven’t seen “The Book of Life,” I found the story of “Coco” to be inventive and thoroughly enjoyable, and it taught me a lot about the traditions of The Day of the Dead. Some of the movie’s twists were on the predictable side, but that never detracted from the fun of the film. I almost missed my chance to see “Coco” in theaters, but I’m so glad I didn’t. There used to be a time when I wouldn’t dare skip a Pixar movie in theaters, and though the “Cars” series has done a lot to change that for me, “Coco” is not one to neglect.