Long Shot
If Seth Rogen could
Just star in every movie.
That would be just fine.
Is Seth Rogen considered a national treasure by the rest of America in the same way he is by the Jews? I can’t imagine that being the case. He is as important to our culture as The Chanukah Song was in the 90s, as latkes and applesauce, as Chinese on New Year’s Eve. Not since the invention of Kosher-for-Passover marble cake has an entity united Jews of all generations in our love for something so strongly. I love Seth Rogen, my mom and my best friend’s mom loves Seth Rogen; shit, my grandma loves Seth Rogen. He is a cultural icon whose signature is his throaty stoner laugh and well-to-do disposition, but uses his star power to effect real change all the same. It obviously goes without saying that we must protect him at all costs.
But I digress. This is not a think piece on Seth Rogen’s cultural impact on Jewish teens who came of age in the 21st century, as much as I’d like it to be. This is a review of “Long Shot,” the romantic comedy starring Rogen opposite Charlize Theron as a stoner journalist who falls for the Secretary of State once she employs him as her speechwriter. Theron’s Charlotte Field is always thinking five steps ahead and willing to make ethical sacrifices when she has to, where Rogen’s Fred Flarsky is the stoner with a hippie agenda, who is simultaneously unwavering in his morals but also has a penchant for incorporating the word “fuck” into his work in the same way that I currently have a penchant for incorporating the word “penchant.” It’s the tale as old as time, and the writers don’t exactly attempt to reinvent the wheel here – but they do have a lot of vulgar fucking fun doing it. It’s not the political rom-com we asked for, but it’s exactly the political rom-com we need in 2019.
Now, “Long Shot” isn’t as gut busting as “This is the End” or “Superbad,” but it’s got the heart of “Knocked Up” the replay value of “Neighbors” and a drug trip worthy of “The Night Before.” More jokes land than the ones that don’t, but I wish there had been more political gags like “The Hall of First Ladies” sequence at the end of the film that has Rogen’s character take us through The Hall of First Ladies Jackie-Kennedy-style. I also couldn’t shake the feeling that everything they were doing has been done better by the Veep team, but that’s an unfair comparison – Veep just ended, and I really miss Veep.
People say the relationship in this movie is unrealistic because someone as composed and calculated as Charlotte would ever fall for someone as clumsy and politically risky as Fred, but to that I say get the fuck over it. It’s 2019, Trump reigns supreme and anything can happen, dammit. I might fuck around and move to New Zealand. Probably not, but you never know.