Big Time Adolescence
Hey Alexa, can
You please tell me how tall Pete
Davidson is? Thanks.
(Alexa, please! I don’t talk to her. I’m Team Siri all the way, but Siri wasn’t enough syllables for my haiku.)
Sometimes I’ll watch a movie and be unable to relate to it in any shape or form. And then there are times when a movie feels like it was made just for me. This is the case for “Big Time Adolescence.”
Actually, let me walk that back. I don’t think that’s the case for me at all. As my loyal readers know, I love coming-of-age movies. I’d call them my guilty pleasure, but there’s nothing to feel guilty about. They fucking rule. I really enjoyed Big Time Adolescence, but I wouldn’t go as far as saying it was made just for me. If that were the case, Jon Hamm would be in it (Jon Hamm also rules). It hits all the usual beats of a COA flick – getting fucked up, losing your virginity, disobeying your parents – but other than some great one-liners…
- “The drive-thru lady knows your name?” “Hell yeah little homie.”
- “No one wants to be the dude that doesn’t feel it.”
- “I work in advertising…”
… BTA is largely a forgettable entry into the canon. It’s just kind of drab, and the movie’s color palette isn’t doing it any favors. Pete Davidson and Griffin Gluck have great chemistry together, but I can’t shake the feeling that I’ll forget this movie exists in a year’s time. Put simply, nothing about it is all that memorable. Which is too bad, because I really do think Pete has a great career ahead of him. This just isn’t the star-making performance he was hoping it’d be.